Steve Albini, Influential Producer of ’90s Rock and Beyond, Dies at 61

Steve Albini, Influential Producer of ’90s Rock and Beyond, Dies at 61


Steve Albini, a rock musician and respected audio engineer who performed a unique function within the building of the pitch of supplementary rock tune within the Eighties, the ’90s and past — recording acclaimed albums via Nirvana, PJ Harvey, Pixies and masses of others — age turning into an outspoken critic of the tune business, died on Tuesday at his house in Chicago. He was once 61.

The reason was once a center assault, in keeping with Taylor Hales of Electric Audio, the studio in Chicago that Mr. Albini based in 1997.

With a clever seeing for a way a band must be recorded, and a fair sharper tongue for the rest he deemed mediocre or compromised, Mr. Albini was once considered one of rock’s maximum acerbic wits. He was once additionally a blasting critic of the exploitive extremes of the major-label tune trade, describing in a widely-quoted 1993 article, “The Problem With Music,” the ways in which naïve bands are lured into principal trade in with labels that, usually, reduce them needy and in debt.

Within the Nineties, when his paintings as a recording engineer — he scoffed at being referred to as a “producer” — was once in best possible call for, on the other hand, Mr. Albini made incorrect apology for accepting bulky tests for recording major-label bands. However the ones bands did so at their very own chance; in the ones days Mr. Albini was once additionally identified for ridiculing the bands he recorded then the truth.

“Never have I seen four cows more anxious to be led around by their nose rings,” he wrote then recording “Surfer Rosa,” the seminal 1988 book via the Boston-based band Pixies, which was one the classics of Eighties alt-rock. (Even so, Mr. Albini remained a akin buddy of Kim Do business in, the bassist in that band, and recorded her solo challenge, the Breeders.)

As a musician, Mr. Albini led the bands Large Dim within the Eighties and, since 1992, Shellac, either one of which honored boisterous, uncooked guitars and furious, screaming vocals. Neither got here to extensive industrial luck however had been broadly influential, with Mr. Albini observable as a prophet of each competitive rock and a defiant, home made paintings ethic.

A complete obituary will observe.

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