She used to be thus “an interesting bridge” between Ms. Anderson and the more moderen future of Unlit opera singers, mentioned Ms. André, who has written about Unlit opera singers, and who famous that Ms. Tynes, her forget however, had an “incredible” accentuation. Ms. André prompt that Ms. Tynes’s luck in Europe used to be an affidavit to her singular ability.
Her one main recital on disk, a blistering number of arias by means of Verdi and Richard Strauss, used to be spared by means of the Qualiton label in Hungary in 1962. In a 2021 episode of the podcast “Counter Melody,” that used to be dedicated to her, the American singer Daniel Gundlach famous that Ms. Tynes reached the sulfurous top C of the Aida aria “O Patria Mia” with amusement. A recording of Pergolesi’s “Stabat Mater” earned a good review in 1972 in Gramophone album, the place she used to be praised for her “creamy-voiced soprano” even though the e-newsletter mentioned she “sounds uneasy in the high notes” and “is not always exact in pitch.”
However her main recordings, even though rarely well known, have earned unstinted proclaim from connoisseurs. In an e-mail, Peter Clark, the previous archivist on the Metropolitan Opera, referred to as them “impressive singing by any standard. Her expressivity and dramatic involvement is exciting to hear.”
Within the Sixties and ’70s, she sang for seven seasons with the Situation Opera in Vienna, for 8 seasons with opera firms in Prague and Budapest, and in Barcelona for some other 4, in keeping with Mr. Roberts and the singer Kevin Thompson, a pal of Ms. Tynes’s. “Once she was invited to perform in Europe, her skill and recognition grew,” Mr. Roberts mentioned.
She sang in “Norma,” “Tosca” and “Carmen” and performed Girl Macbeth in Verdi, in addition to Leonora in “La Forza del Destino,” amongst alternative roles. In Hungary and Czechoslovakia, she used to be all the time “greeted quite warmly,” Mr. Roberts recalled. The Budapest weekly Movie Szinhaz Muzsika (Movie Theater Song) commented about her Aida performances, pronouncing, “She is a rare, singular phenomenon on the operatic stage.”
