The nominees for the 2024 Tony Awards had been introduced Tuesday morning to proclaim the most efficient displays and largest abilities on Broadway. Tony-winning performers Jesse Tyler Ferguson and Renée Elise Goldsberry hosted the nominations, with six of the sections unveiled first on “CBS Mornings.”
The 77th annual Tony Awards will wind live to tell the tale CBS and tide on Paramount+ on Sunday, June 16, with Ariana DeBose turning back host for the 3rd occasion.
Listed here are the nominations:
Absolute best Play games
- “Jaja’s African Hair Braiding”
- “Mary Jane”
- “Mother Play”
- “Prayer for the French Republic”
- “Stereophonic”
Absolute best Musical
- “Hell’s Kitchen”
- “Illinoise”
- “The Outsiders”
- “Suffs”
- “Water for Elephants”
Absolute best Revival of a Play games
- “Appropriate”
- “An Enemy of the People”
- “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
Absolute best Revival of a Musical
- “Cabaret at the Kit Kat Club”
- “Gutenberg! The Musical!”
- “Merrily We Roll Along”
- “The Who’s Tommy”
Absolute best Efficiency via an Actress in a Important Function in a Play games
- Betsy Aidem, “Prayer for the French Republic”
- Jessica Lange, “Mother Play”
- Rachel McAdams, “Mary Jane”
- Sarah Paulson, “Appropriate”
- Amy Ryan, “Doubt: A Parable”
Absolute best Efficiency via an Actor in a Important Function in a Play games
- William Jackson Harper, “Uncle Vanya”
- Leslie Odom Jr., “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
- Liev Schreiber, “Doubt: A Parable”
- Jeremy Robust, “An Enemy of the People”
- Michael Stuhlbarg, “Patriots”
Absolute best Efficiency via an Actress in a Important Function in a Musical
- Eden Espinosa, “Lempicka”
- Maleah Joi Moon, “Hell’s Kitchen”
- Kelli O’Hara, “Days of Wine and Roses”
- Maryann Plunkett, “The Notebook”
- Gayle Rankin, “Cabaret at the Kit Kat Club”
Absolute best Efficiency via an Actor in a Important Function in a Musical
- Brody Handover, “The Outsiders”
- Jonathan Groff, “Merrily We Roll Along”
- Dorian Harewood, “The Notebook”
- Brian d’Arcy James, “Days of Wine and Roses”
- Eddie Redmayne, “Cabaret at the Kit Kat Club”
Absolute best Efficiency via an Actress in a Featured Function in a Play games
- Quincy Tyler Bernstine, “Doubt: A Parable”
- Juliana Canfield, “Stereophonic”
- Celia Keenan-Bolger, “Mother Play”
- Sarah Pidgeon, “Stereophonic”
- Kara Younger, “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
Absolute best Efficiency via an Actor in a Featured Function in a Play games
- Will Brill, “Stereophonic”
- Eli Gelb, “Stereophonic”
- Jim Parsons, “Mother Play”
- Tom Pecinka, “Stereophonic”
- Corey Stoll, “Appropriate”
Absolute best Efficiency via an Actress in a Featured Function in a Musical
- Shoshana Bean, “Hell’s Kitchen”
- Amber Iman, “Lempicka”
- Nikki M. James, “Suffs”
- Leslie Rodriguez Kritzer, “Monty Python’s Spamalot”
- Kecia Lewis, “Hell’s Kitchen”
- Lindsay Mendez, “Merrily We Roll Along”
- Bebe Neuwirth, “Cabaret at the Kit Kat Club”
Absolute best Efficiency via an Actor in a Featured Function in a Musical
- Roger Bart, “Back to the Future: The Musical”
- Joshua Boone, “The Outsiders”
- Brandon Victor Dixon, “Hell’s Kitchen”
- Sky Lakota-Lynch, “The Outsiders”
- Daniel Radcliffe, “Merrily We Roll Along”
- Steven Skybell, “Cabaret at the Kit Kat Club”
Absolute best Path of a Play games
- Daniel Aukin, “Stereophonic”
- Anne Kauffman, “Mary Jane”
- Kenny Leon, “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
- Lila Neugebauer, “Appropriate”
- Whitney White, “Jaja’s African Hair Braiding”
Absolute best Path of a Musical
- Maria Friedman, “Merrily We Roll Along”
- Michael Greif, “Hell’s Kitchen”
- Leigh Silverman, “Suffs”
- Jessica Stone, “Water for Elephants”
- Danya Taymor, “The Outsiders”
Absolute best Choreography
- “Hell’s Kitchen”
- “Here Lies Love”
- “Illinoise”
- “The Outsiders”
- “Water for Elephants”
Absolute best Orchestrations
- “Hell’s Kitchen”
- “Illinoise”
- “Merrily We Roll Along”
- “The Outsiders”
- “Stereophonic”
Absolute best Store of a Musical
- “Hell’s Kitchen”
- “The Notebook”
- “The Outsiders”
- “Suffs”
- “Water for Elephants”
Absolute best Unedited Rating (Song and/or Lyrics) Written for the Theatre
- “Days of Wine and Roses”
- “Here Lies Love”
- “Stereophonic”
- “Suffs”
- “The Outsiders”
Absolute best Dress Design of a Play games
- “Appropriate”
- “An Enemy of the People”
- “Jaja’s African Hair Braiding”
- “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
- “Stereophonic”
Absolute best Dress Design of a Musical
- “Cabaret at the Kit Kat Club”
- “The Great Gatsby”
- “Hell’s Kitchen”
- “Suffs”
- “Water for Elephants”
Absolute best Scenic Design of a Play games
- “Appropriate”
- “An Enemy of the People”
- “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
- “Jaja’s African Hair Braiding”
- “Stereophonic”
Absolute best Scenic Design of a Musical
- “Back to the Future: The Musical”
- “Cabaret at the Kit Kat Club”
- “Hell’s Kitchen”
- “Here Lies Love”
- “Lempicka”
- “The Outsiders”
- “Water for Elephants”
Absolute best Lighting fixtures Design of a Play games
- “Appropriate”
- “An Enemy of the People”
- “Grey House”
- “Prayer for the French Republic”
- “Stereophonic”
Absolute best Lighting fixtures Design of a Musical
- “Cabaret at the Kit Kat Club”
- “Hell’s Kitchen”
- “Illinoise”
- “The Outsiders”
- “Water for Elephants”
Absolute best Pitch Design of a Play games
- “Appropriate”
- “Grey House”
- “Jaja’s African Hair Braiding”
- “Mary Jane”
- “Stereophonic”
Absolute best Pitch Design of a Musical
- “Cabaret at the Kit Kat Club”
- “Hell’s Kitchen”
- “Here Lies Love”
- “Merrily We Roll Along”
- “The Outsiders”
